Valerie Hegstrom

Valerie Hegstrom

Coordinator, Global Womens Studies / Professor, Spanish & Portuguese

3148 JFSB



Winter GWS Colloquium
Thursdays 12:00-12:50
by Zoom
Winter GWS Capstone
Thursdays 3:00-4:45
by Zoom
Winter Office hours
M 12:00 & TH 2:00
by Zoom

Valerie Hegstrom received her PhD from the University of Kansas. She taught for four years at the University of New Mexico before joining the Department of Spanish and Portuguese at Brigham Young University. She is an affiliated faculty member of the Comparative Literature, European Studies, and the Global Women’s Studies programs as well. Dr. Hegstrom’s research deals with the recovery of literary works by early modern women who wrote in Spanish and Portuguese and looks at early modern Spanish and Portuguese theater through the lens of performance. She and Cristina Cowley recently completed an edition and translation of Maria do Céu’s allegory Enganos do bosque, desenganos do rio, which will be published in the Other Voice series. Her current projects include an edition and translation of poems, stories, a play, and letters by Maria do Céu, and, in collaboration with Vanda Anastácio, a translation of the coded letters that the Marquise de Alorna wrote (sometimes in invisible ink) to her father in prison. Among other honors, Dr. Hegstrom received the BYU Phi Kappa Phi Faculty Award in 2020, the P.A. Christensen Lectureship in BYU’s College of Humanities in 2019, the David Gitlitz Comedia Prize in Pedagogy and Mentorship from the Association for Hispanic Classical Theater in 2018, a Scholarly Editions and Translations Grant from the National Endowment for the Humanities, and an Alcuin Fellowship from BYU’s College of General Education and Honors. Her edition of Ângela de Azevedo’s El muerto disimulado, along with Catherine Larson’s translation, received the award for the “Best Translated Edition of a Work on Women and Gender Published in 2018” from the Society for the Study of Early Modern Women and Gender. Dr. Hegstrom serves as the coordinator of the BYU Global Women’s Studies Program and faculty advisor to the Women’s Studies Honor Society.

Recent Publications

“Traducir las cartas de la Marquesa de Alorna (1750-1839).” Co-authored with Vanda Anastácio. En otras palabras: género, traducción y relaciones de poder. Ed. María D. Martos Pérez, Marina Sanfilippo and Mariángel Soláns García. Madrid: UNED, 2020. 29-40.

“Foreword: Making Lists with Amy.” Peculiar Lives in Early Modern Spain: Essays Celebrating Amy Williamsen. Ed. Robert Bayliss and Judith Caballero. University Press of the South, 2020. 7-10.

“In the Caves,” by Emilia Pardo Bazán. Translation, Introduction, and Notes by Valerie Hegstrom. Hélice: Reflexiones críticas sobre ficción especulativa 5.1 (2019): 97-122.

Rev. of Women Playwrights of Early Modern Spain: Feliciana Enríquez de Guzmán, Ana Caro Mallén, and Sor Marcela de San Félix, translated by Harley Erdman, edited by Nieves Romero-Díaz and Lisa Vollendorf. [Book Review.] Early Modern Women: An Interdisciplinary Journal (EMWJ) 13.2 (2019): 96-99.

El muerto disimulado / Presumed Dead, by Ângela de Azevedo. Edition by Valerie Hegstrom. Translation by Catherine Larson. Critical Introduction and Notes by Valerie Hegstrom and Catherine Larson. Aris & Phillips Hispanic Classics. Liverpool University Press, 2018.

“‘La décima musa portuguesa’ and Her Soledades de Buçaco: Gendered Landscape Poetry Dedicated to the Nuns of Santo Alberto.” Calíope: Journal of the Society for Renaissance and Baroque Hispanic Poetry 22.2 (2017): 145-64.

“Mentoring Spanish Theater Performance and Service Learning: The BYU Spanish Golden Age Theater Project’s Production of Guillén de Castro’s El Narciso en su opinión.” Co-authored with Dale J. Pratt. Religious and Secular Theater in Golden Age Spain: Essays in Honor of Donald T. Dietz. Ed. Susan Paun de García and Donald Larson. Iberica series. New York: Peter Lang, 2017. 175-87.

Mujeres y criados: Lope’s Recovered Comedy at Chamizal.” [Performance Review.] Bulletin of the Comediantes 69.1 (2017): 181-85.

Four Centuries of Good Government: A Story about the Modern Age,” by Nilo María Fabra. Translation, Introduction, and Notes by Valerie Hegstrom. Hélice: Reflexiones críticas sobre ficción especulativa 3.8 (2017): 73-83.

“Reading El Buscón on the Chamizal Stage.” [Performance Review.] Comedia Performance 13.1 (2016): 223-29.

“Gendered Matters: Engaging Research on Early Modern Dramaturgas in the Classroom.” Co-authored with Amy R. Williamsen. Teaching Gender through Latin American, Latino and Iberian Texts and CultureEd. Leila Gómez, Asunción Horno-Delgado, Mary K. Long, Núria Silleras-Fernández. Rotterdam: Sense Publishers, 2015. 99-124.

“Early Modern Dramaturgas: A Contemporary Performance History,” Co-authored with Amy R. Williamsen. Remaking the Comedia: Spanish Classical Theater in Adaptation. Ed. Harley Erdman and Susan Paun de García. Woodbridge, Suffolk: Tamesis, 2015. 83-92.

“El convento como espacio escénico y la monja como actriz: montajes teatrales en tres conventos de Valladolid, Madrid y Lisboa.” Letras en la celda: Cultura escrita de los conventos femeninos en la España moderna. Ed. Nieves Baranda Leturio and María Carmen Marín Pina. Madrid: Iberoamericana – Vervuert, 2014. 363-78.


“The Love of Learning: Early Modern Iberian Women Writers as Advocates for Women’s Education,” Phi Kappa Phi 2020 Distinguished Faculty Lecture, November 5, 2020.

Global Women’s Studies at BYU,” BYU Kennedy Center Lecture Series, February 15, 2019.

Navigating a Homogenous Campus: Women of Color at BYU,” BYU Kennedy Center Lecture Series, November 12, 2018.

“My Personal Journey to Becoming a Feminist.” Constant Wonder. BYU Radio, October 15, 2018.

Europe’s Feminist Legacies,” Café CSE Speaker Series, European Studies and the Kennedy Center, Brigham Young University, November 18, 2015.

Feminism, Women’s Movements, Sex and Peace,” The Morning Show, BYU Radio, October 22, 2014. (Start at minute 13:59)

Why European Women Don’t . . . ,” Café CSE Speaker Series, European Studies and the Kennedy Center, Brigham Young University, April 3, 2013.

Tragedy or Comedy? The Outcome of Rash, Young Love in Lope de Vega’s Castelvines y Monteses and El caballero de Olmedo,” a presentation at the symposium Early Modern Spanish Theater: Text and Performance, Robert Penn Warren Center for the Humanities, Vanderbilt University, April 2-4, 2012.

Women’s Studies Colloquium (Lecture Series)

BYU Global Women’s Studies Website

BYU Spanish Golden Age Theater Website

BYU Spanish Golden Age Theater Outreach Video